Found in Translation

It's commonly said that things get lost in translation. I think that the opposite is also true, that new meanings emerge.

Cocker - I - I heard there's your problem with the sauce in a hospital that got unplugged from the growth of hair in the ears.
I Bless you Mr. Shin
Yan dying old man - I like that (laughs).

Is this how it feels to be an anthropologist? To find meaning in a jumble of words in the dead language of a dead culture? Teasing out real ideas from what looks to be lunacy? There was probably a coherent train of thought in the original. What was it? Is it possible to know from what we have?

There's a problem with the sauce, indeed.

Random Songs, Unforgotten

Every once in a while a song comes bubbling up out of the depths of my memory and gets lodged in my consciousness. This time it's "Like a Rhinestone Cowboy". Unfortunately the only lyric from the song that I know is "like a rhinestone cowboy" and it's got me wondering.. what is like a rhinestone cowboy? Is there anything else like a rhinestone cowboy? Nothing that I'm aware of.

And then I realized that I don't want to know what's like a rhinestone cowboy. I figure when the song you've written is called Like a Rhinestone Cowboy, you're probably not going to be writing anything particularly profound. So I'm not going to bother to look up the rest of the lyrics to find out what it is.

Mind you, I don't imagine they could do much worse than the person who wrote "like a rock... charging from the gate".

Could they? Let's not find out.

Vocaloid2 - A First Look and Listen

According to the README, Vocaloid2 "has a cool new look with improved user functionality", which makes me very happy. Not the new interface. That doesn't make me happy at all. What makes me happy is knowing that I never experienced the old one. If this is an improvement then the old one must have been the interface equivalent of pepper spray being applied to your eyes with butter knives. I think it was designed for users with VGA monitors. Everything is cramped, tiny, and pointlessly shortened in eye-straining white on black. Remember computers in the 80s? It's like that only it has no excuse.

Upon startup, you can jump right in. The select tool is the one you start with, in case you're ready to select any or all of those zero notes. And yes, it uses the classic tool paradigm, with icons. Select arrow; phallus draw tool; mysterious slash; eraser; tic-tac-toe; and... something. One thing at a time! I think I'll spend a few minutes selecting notes. Then I'll draw some for a while. Perhaps later, after the sun has gone down, I'll delete some. Does nobody else use a mouse? You have a perfectly good multi-function tool right under your hand! I can understand some functions requiring a special tool - like whatever the hell that last one does - but select, draw and delete should all be doable using just the mouse. Unless you're Mozart, you will be doing all three of those things at the same time.

Okay, so I switched to the draw tool (because at this point select is completely useless) and I drew in some notes. They all default to "Ooh [U:]". Let's have a listen.

ohmstudio - First Impressions

I've finally gotten around to installing and trying ohmstudio, which looks to be a very cool new (still in limited beta) collaborative music studio.

One way that I like to judge music software (often called a host, sequencer, or DAW ("digital audio workstation"*)) is its TTMS - time to make sound. There are two philosophies being put to the test here. One is that the primary purpose of music software is to make noise via loaded virtual instruments. The second is that easy things should be easy**. So what I do is try to load an instrument and play it using my keyboard and time how long it takes without using a manual.

Most are miserable failures, in my opinion. Keep in mind, though, that different people will have different work-flows and assumptions. I'm only expressing my own opinion here. (Were you expecting me to express yours?)

Speaking of miserable failures, the program that I feel does it best is Tracktion. It was developed under an understanding that while music has traditionally been done in the physical domain, music software is first of all software and it should work on the strengths of such instead of trying to pretend to be hardware. When you're working on a track, everything relevant to it is easy to see, flowing from left to right. Unfortunately Mackie bought it, developed it slightly, then left it to languish. It hasn't been updated since the start of 2008.

And so here I am trying something new.

Anyways, the TTMS of ohmstudio ain't bad. There were only two obstacles. One was that it comes with only a few plugins, effects and instruments are lumped together, and the Ohmies really like to use cryptic names. Apparently (and I'm not 100% sure about this) only one of them is an instrument. It took a while to load, likely because at the same time I was trying to get the program to find and list all the instruments I already have. It didn't like that. After a few minutes, I noticed there was an error window behind the program window. Meanwhile, "MiniMonsta:Melohman***" wasn't loading.

The error was a mysterious one. It would seem that one instrument was telling me to load a disc from the installation of a different one! NI's B4 wanted me to put the Kontakt disc #2 in the drive, or some such. No idea. Ignored it. Tried a few other more specific folders. Also didn't work.

But MiniMonsta:Melohman eventually did load. Twice. I must have gotten impatient and tried again. But it loaded. The second obstacle was finding whatever it was that let the MIDI from my keyboard route through the instrument. It's a little "ON" button. I only tried about three things until I found it.

Meanwhile, my attempt to have ohmstudio see my VST plugins was making it decidedly unhappy. It crashed. I loaded it again and it crashed again. A reboot solved the problem.

It's a start. I can make some noise.

NEXT: I try to record MIDI and write MIDI!

* I've never been fond of this term, for two reasons. One: it's another TLA****. Second: the term is also used for a physical computer that's been configured to run music software, so you end up with a DAW running on a DAW.

** I don't mind if difficult things are difficult as long as easy things are easy.

*** Incidentally, this is a very nice plugin and its inclusion is very generous! Thanks, Ohmies! (Note that it's not a full VST version that can run in other hosts.)

**** Three-letter acronym

Like a Phoenix!

The Phoenix

Like a Phoenix, my music computer rises from the ashes of its destruction. Or maybe a bit more slowly, like Lazarus.

Anyways, it died a few days back, but I replaced all its innards and now it's running. In fact, it's running much better than before. It should. It has a much faster processor, more RAM, a bigger hard drive and it's running Windows 7 rather than XP. Those are a lot of changes for the better.

The tricky part is re-installing everything. Some things are easier than others. Some are more worthwhile than others. Some probably won't run at all any more. I know of one at least that requires a special key from a server that no longer exists. Let that be a lesson to you: crappy copy protection hurts paying customers.

I'm going to write about this experience, in part because I just want to remember a few things if I need to handle some of the companies that make the software.

Nightmares and Other Odd Dreams

Last night I had that same old dream
It rocked me in my sleep
It left me with the impression
That the sandman plays for keeps
~Larry Norman

We were in a castle. My best friend was sitting in a window sill. Over his shoulder I could see a hilly landscape on a sunny day. Suddenly and strangely, the dream turned ugly. My friend, laughing, ordered a man with both Down Syndrome and an axe to kill me. I ran away, completely overwhelmed with terror. To make things worse I started to feel an incredible fatigue, almost as if I was, ironically, falling asleep. My steps shortened and my muscles relaxed, but my terror remained. I stopped running and crumpled to the ground, incapable of any kind of movement yet still very aware of my surroundings. My friend was still laughing.

I woke up, terrified, as the axe blade started to bite into my neck.

Strings Sample Library Group Buy

Those of you who like to record or compose music on your computers are probably aware of Kontakt and also know what a strings sample library is. And if you don't already own one, you might wish you did. If I am describing you, then you are in luck! Kirk Hunter Studios makes some great symphonic sample libraries. Even if you've never heard of them, there's a very good chance you've heard them! And right now (until November 25th, 2011) they have a special group buy deal, where the more people sign up to buy, the lower the price gets - down to 75% off the regular price.

This is an amazing deal. As it currently stands (Nov 3) we're just 5 people away from at the 60% discount level. I've got my eye on that Pop/Rock Strings library that will soon be is currently under $100 and likely eventually under $65. For details on the group buy you can visit KvR. But to me the best way to look at it is to see all the products for sale with their percentage prices. Someone's already done that and I'm stealing it:

Library - List price

15% off | 20% off | 40% off | 50% off | 60% off | 75% off

 

Pop/Rock Strings - $249.00

$211.65 | $199.20 | $149.40 | $124.50 | $99.60 | $62.25

 

Concert Strings II - $799.00

$679.15 | $639.20 | $479.40 | $399.50 | $319.60 | $199.75

Concert Strings II - Whole Divisions - $249.00

$211.65 | $199.20 | $149.40 | $124.50 | $99.60 | $62.25

Solo Strings II - $249.00

$211.65 | $199.20 | $149.40 | $124.50 | $99.60 | $62.25

 

Concert Brass II - $349.00 *

$296.65 | $279.20 | $209.40 | $174.50 | $139.60 | $87.25

Concert Brass II - Whole Divisions - $199.00

$169.15 | $159.20 | $119.40 | $99.50 | $79.60 | $49.75

Concert Brass II - Half Divisions - $199.00

$169.15 | $159.20 | $119.40 | $99.50 | $79.60 | $49.75

 

Diamond (Orchestra) - $549.00

$466.65 | $439.20 | $329.40 | $274.50 | $219.60 | $137.25

 

I've signed up!

Note that all libraries except Pop/Rock Strings require you to already have Kontakt 4 or greater.

* Regular list price is $399 but was already on sale when the group buy started.